Wednesday, 17 January 2018

The Naked Witch, by Wendy Steele; a review by Diana Milne

Lizzie Martin’s new boss has asked her to ‘bare all’ and become more corporate.

For Lizzie, swapping paisley for pin stripe is like asking a parrot to wear pea hen.

She has to choose between her job and her integrity, cope with an unexpected stay in hospital, monitor her fourteen year old daughter’s latest crush, continue seeking the truth about her father’s death and juggle two new men in her life.

There is hope though.

At the bottom of the garden is a little wooden shed that Lizzie calls Sanctuary. Within its warm and welcoming walls, Lizzie surrounds herself with magic.


The Naked Witch is so far out of my usual genres of reading and interest that I genuinely wondered if I would be able to enjoy it, gain anything from it, or even be able to review it properly, but my fears were groundless. From the first page Wendy Steele welcomed me into the world of the protagonist Lizzie Martin  and her teenage daughter Rowan and, without even using any witchy magic, just exceptional use of words, enticed me to not just read, but to thoroughly enjoy this wonderful book.

Immediately one starts to read, one feels the fun and laughter and determination of Lizzie, struggling against daunting odds to pick up the pieces after a broken marriage, a new home and a new job. She is a vibrant, colourful woman, who is also a witch. By witch, I am not talking about pointy hats and dark magic, but someone who is really in tune with nature and the old ways and gods and uses her rituals as a way to calm herself and focus her mind - (we could all learn a lot from her!) - and her shed, where she goes to be herself, is a calming sanctuary.

As a heroine, she is human and flawed and any mother, any working woman, can surely relate to her struggles to be everything to everyone and still be a woman in her own right. Ms Steele's depictions of a woman watching her daughter grow from a child to a woman and back, (all on the same day sometimes, as is the wont of teenage girls,) describes the confusion, fear, pride, relief and some other ineffable feeling that I cannot name, so perfectly. So many of us have been there, seen that and survived (just!)

Conversation flows naturally and has the ring of veracity and flashes of humour, one example  being someone calling Lizzie being a vegetarian, a 'vegetablarian.' This conversation between Lizzie and her ex's girlfriend describes Lizzie's 'faith' as a witch, to a total sceptic:

Bryony met Lizzie's invitation with wide, unbelieving eyes. "You're a witch?" she whispered, checking over her shoulder for eavesdroppers.
"I live my life with the Wheel of the Year, connect with the natural world, offer up prayers to the amazing universe we live in and meditate, allowing me to learn and travel on the astral plane, so yes, I'm a witch."
"I'm not ure. I don't know if I want to summon demons."
"Bryony, did I mention demons?"
"No, but ..."
"Earth, rocks, plants, animals, the sea vibrate with energy, with life. The same life, if you like, that courses through our veins.Witchcraft gives me a spiritual connection to the world around me. Best of all, I am never alone."
"I'venever thought about the sea being alive."
"It depends how you look at it, but one thing is certain. Women and the sea are ruled by the moon."

We see and empathise with Lizzie starting out again on the dating, mating game and watch her growing friendship with her daughter's boyfriend's widowed dad with sympathy and warmth, a friendship that the reader hopes will become more after the book is over.

Throughout the book, Lizzie struggles with the relationship with her own mother and with her lack of knowledge about the death of her adored father and during a visit to her ex mother in law in Spain, sees a photo that begins to unravel the mysteries.

I really could relate to the characters and feel that Ms Steele has a rare talent for bringing interest to the day by day life of your average suburban witch, turning the mundane into a fascinating and readable story that I enjoyed from cover to cover - I totally loved the book and was able to completely escape into it. It was effortless to read because of the clever writing and I will willingly, happily add Wendy Steele to my 'read again' author list.

What other people say:

Rhea's Broomstick: 5 stars. Amazon verified purchase.

Another triumph for Witch Lit! Wendy Steele's The Naked Witch is a fun, easy read with a good storyline. Lizzie, the main character, is easily identifiable with if you are one of those women who are a little bit on the eccentric side, love magic and have the life skills to get down and do what it takes to juggle work, a teenager, an ex-husband and still have time to find love. Finding her unique fashion look from the charity shops and her sanctuary in a shed, she is a woman of resource, yet life throws her more than her share of challenges. In her search for the truth about her father Lizzie finds herself partying in Spain woven into a web of family intrigue. A brilliant book to snuggle down to a bit of 'me time' with.

You may buy The Naked Witch and Wendy Steele's other books by clicking on this link: Wendy Steele's books.

About the author:

In 1972, Wendy Steele came home from the Tutankhamun exhibition and wrote about her experience, beginning a writing journey which she still travels. Since working in the City BC (Before Children), she has trained in alternative therapies, belly dance and writing. Wendy combines these three disciplines to give balance to her life.

Her first novel 'Destiny of Angels' was published in 2012, closely followed by two short story anthologies and a non-fiction book 'Wendy Woo's Year – A Pocketful of Smiles', an inspirational guide, offering ideas, meditations and recipes to make every precious day, a happy one.

Moving to Wales, the fulfilment of a 15 year dream, inspired her to write the Standing Stone book series, set in Wales in the countryside she loves.

Writing workshops in Wales widened her writing perspective and the resulting short stories have been published online and in anthologies.

Wendy writes fantasy, with a dollop of magic, exploring the 'what if...?' the starting point for all her stories. She lives with her partner and cats, restoring her farmhouse and immersing herself in the natural world on her doorstep.

Wendy Steele

© Diana Milne 2018

Saturday, 13 January 2018

Diana talks to Carol McGrath, author of one of my top three books for 2017, Woman in the Shadows

Hi Carol, good to talk to you.

First things first I am sure there is a question that you have always longed to be asked. Now is the chance. Ask your own question and answer it!
Do you want publishers to pigeon hole you into a particular historical era as an author?
Absolutely not. I shall be writing a novel set in the seventeenth century after I complete the Rose novels of which I currently plan two. They are set during the ‘magnificent thirteenth century’.

What is the genre you are best known for?
Historical Fiction.

If your latest book The Woman in the Shadows was adapted into a TV show or a film, who would you like to play the lead role?
Carey Mulligan would make a lovely Elizabeth Cromwell. However, Elizabeth does have silvery hair! Will Carey dye hers?

What made you choose this genre?
I am passionate about History and always have been. I always have read Historical novels, growing up on a diet of Jean Plaidy and Ayna Seton.

 How do you get ideas for plots and characters?
Historical Research and paintings. It is good to read contemporary novels as they can provide universal themes and plots.

Favourite picture or work of art?
The Arnolfini Portrait by Jan Van Eyck 1434. The colours are vivid, the portrait has depth and there’s a story there.

If, as a one off, (and you could guarantee publication!)  you could write anything you wanted, is there another genre you would love to work with and do you already have a budding plot line in mind?
I would like to write a contemporary woman’s story with a political edge, possibly with a photo journalist as my heroine and set in one of the countries I visit such as India or Japan.

Was becoming a writer a conscious decision or something that you drifted into (or even something so compelling that it could not be denied?) How old were you when you first started to write seriously.
I have always loved writing. I love poetry and used to write it. I began to write seriously in my forties but was not published for another decade. I took an MA in Creative Writing at Queens Belfast and an MPhil at Royal Holloway. This involved thesis work and that held me up but was fulfilling.

Marmite? Love it or hate it? Hate it. Too salty.

Do you have any rituals and routines when writing? Your favourite cup for example or ‘that’ piece of music...??
I listen to Classical, Jazz and interesting Folk. I love piano music especially Satie’s Trois Gymnopedies.

I promise I won’t tell them the answer to this, but when you are writing, who is more important, your family or your characters?
My characters but I absolutely would leave them to resolve a family crisis.

Other than writing full time, what would be your dream job?
Foreign Correspondent.

Coffee or tea? Red or white?
Tea and with a dash of milk. White wine is my tipple.

How much of your work is planned before you start? Do you have a full draft or let it find its way?
I plan characters carefully and use an overall three part structure to design a novel’s narrative. I write into it and plan further. I make lists for each section and use spider diagrams a lot as I write. It still can take its own life.

If you had free choice over the font your book is printed in, what font/fonts would you choose?
Times New Roman. Clarity rules for me.

Imagine that you could get hold of any original source document. What would it be?
I would like to see the original inventory for Cromwell’s house, Austin Friars. Possessions can reveal so much about a character. (Gosh!Yes! How I would love to see that too!|D)

Have any of your characters ever shocked you and gone off on their own adventure leaving you scratching your head??? If so how did you cope with that!?
Elditha from The Handfasted Wife sadly refused the happy ending I had planned for her. I cannot say more as it would be a reveal.

How much research do you do and do you ever go on research trips?
I endlessly research but all this must be seamlessly incorporated into the fabric of the novel. I aim to recreate the atmosphere of a period and the trappings of that particular Historical world. I do go on research trips and unfortunately was unable to visit Kiev as planned when writing The Betrothed Sister. The Ukraine became dangerous. However, I have a working knowledge of Russia. That helped. I visited Dublin to research the Irish Viking period whilst writing The Handfasted Wife. I had to visit Exeter to get the siege section right as well. I used Tudor maps of London when writing The Woman in the Shadows and visited The Museum of London as well as The British Museum and many Renaissance art works in various galleries.

Fiction authors have to contend with real characters invading our stories. Are there any ‘real’ characters you have been tempted to prematurely kill off or ignore because you just don’t like them or they spoil the plot?
Oh yes. Padar had to be contained as he was upstaging Elditha and thus distancing her for a reader. I realised I could not use his POV when she was present in a scene. Rosalind, an embroiderer, is in danger of stealing the show from Queen Ailenor in The Silken Rose. She is currently banished to a convent but she will emerge and her story line will conclude. (Big smile)

Are you prepared to go away from the known facts for the sake of the story and if so how do you get around this?
Generally I do not deviate but I invent extras to full in the dots and particularly to create interesting stories. I invented a fire in The Woman in the Shadows and the outcome of that to build tension, provide a story and highlight known aspects of character as regards Thomas Cromwell. I always try to be plausible.

Do you find that the lines between fact and fiction sometimes become blurred?
Yes, of course, but for me keeping to known facts matter. I invent around these and create hypotheses. I guess this is blurring!

Have you ever totally hated or fallen in love with one of your characters?
I am still  utterly in love with Padar and I am rather fond of Thomas Cromwell as he was before The King’s Great Matter. I do admire his wife, Elizabeth who tells the story. (I am rather infatuated with the early Thomas Cromwell myself... D)

What do you enjoy reading for pleasure?
I read widely. I currently am reading Anne Cleeves and highly recommend The Crow Trap. It helps me understand plotting.

What drink would you recommend drinking whilst reading your latest book?
You would want a delicious posset with beaten egg, milk, honey and spices whilst reading The Woman in the Shadows. Keep it warm by an open fire and curl up in your favourite armchair. Follow it with a shot of Benedictine.

Last but not least... favourite author?I love and re read Charlotte Bronte, especially Jane Eyre. I think EM Foster is my joint favourite author. I adore his work, especially A Passage to India. 

About The Woman in the Shadows:

A powerful, evocative new novel by the critically acclaimed author of The Handfasted Wife, The Woman in the Shadows tells the rise of Thomas Cromwell, Tudor England's most powerful statesman, through the eyes of his wife Elizabeth.

When beautiful cloth merchant’s daughter Elizabeth Williams is widowed at the age of twenty-two, she is determined to make herself a success in the business she has learned from her father. But there are those who oppose a woman making her own way in the world, and soon Elizabeth realises she may have some powerful enemies – enemies who also know the truth about her late husband.

Security – and happiness – comes when Elizabeth is introduced to kindly, ambitious merchant turned lawyer, Thomas Cromwell. Their marriage is one based on mutual love and respect…but it isn’t always easy being the wife of an influential, headstrong man in Henry VIII’s London.

The city is filled with ruthless people and strange delights – and Elizabeth realises she must adjust to the life she has chosen…or risk losing everything.

Read more about Carol McGrath here

© Diana Milne January 2018 © Carol McGrath, 1/1/18

Wednesday, 10 January 2018

FAITHFUL TRAITOR: The Story of Margaret Pole by Samantha Wilcoxson~ a review by Linda Fetterly Root

Today Linda Root reviews FaithfulTraitor, the fabulous novel by Samantha Wilcoxson. The author has kindly offered an ebook as a giveaway. To be in with a chance of winning this fabulous story, simply leave a comment below of on our Facebook Page.
The winner will be drawn on 17th January 2018.
Good luck!

Margaret Pole's Coat-of-Arms
Writing a historical biographical novel is a challenge well met by American novelist Samantha Wilcoxson as she presents the intriguing life story of Margaret Pole, sometimes known as The Last Plantagenet.  Lady Pole, Countess of Salisbury, is familiar to most casual readers as the old woman who had run afoul of Henry VIII, ultimately to be chased around the scaffold by an incompetent headsman who took nine strokes to separate her head from her body.

Several well researched historical accounts of Countess Margaret’s life appear both in traditional histories and in historical fiction. Many of them  dwell upon the reported versions of her bizarre death. However, the glory of Ms. Wilcoxson's novel is its celebration of her life as a loving and cherished wife, a devoted mother, as well as a devout Catholic and reluctant courtier.  Her death, however it occurred, is but a footnote.  Another compelling feature of  Faithful Traitor is the  intriguing picture it presents of the countess's Cousin Henry VIII and other principals in the drama of his reign. One of my favorites is the appearance of Henry's young fifth wife Catherine Howard, who brings the imprisoned elderly countess warm clothes. 

The early pages set the stage upon which Margaret Pole’s life played out. The reader quickly discovers the protagonist is very much a Plantagenet princess, whose acceptance of the Tudors is an appeasement to the inevitable.  She is  keenly cognizant of the threat posed by any surviving Plantagenets to the nascent and fragile Tudor Dynasty. Good men had died for no more reason than their pedigree, her beloved brother Edward among them.  But the woman to whom we are introduced is a pragmatist.  She has children to raise.  Their futures depend upon her survival. From the beginning, the author lets us know that survival is the novel's theme.

Kinship:  Appreciation of her bloodline is a principal element in the novel.

Funeral effigy of Elizabeth of York
Wikimedia, via Creative Commons
  • Margaret Pole's story begins with the death of Queen Elizabeth of York, King Henry VII's consort, daughter of Edward IV and niece of Richard III, the king who lost his crown and his life to Henry Tudor at the Battle of Bosworth Field in 1485.  Henry Tudor, Earl of Richmond, took the throne as Henry VII, asserting himself as the Lancastrian claimant.  But it was his victory and not his heritage that placed Richard’s crown on Henry Tudor’s head. Many English considered him a usurper.  In a move that proved ingenious, the new king brought the patina of legitimacy to his reign by quickly marrying Edward IV’s daughter Elizabeth of York, a hugely popular maneuver  in a nation fatigued of internecine warfare.  To the surprise of many, the politically astute marriage became an ideal match. Austere and frugal and not especially personable, Henry listened to his consort's advice and respected her opinions.  Among other admirable characteristics, Queen Elizabeth  sought amnesty for the surviving members of her family, of which their were precious few. Among those who survived the War of the Roses, Elizabeth's cousin Margaret Pole and her siblings, offspring of the queen's uncle George, Duke of Clarence, received the benefit of Elizabeth's protection, and hence, the king's good will. However, upon Elizabeth of York's death during a difficult childbirth which also claimed the life of the child, the surviving Plantagenets had need of caution. Thus,  with her cousin's Elizabeth's death in 1503, Margaret Pole begins to display the sound instinct and cunning which become her hallmark.  One joy of the novel is the clarity with which the author lets us see how fragile the balance between survival and death, and how well Margaret performs her balancing act.  Even when her fortunes seem the brightest, she is aware she is the last Plantagenet princess living in Tudor England, a dangerous place to be.  

Love and Friendship:  

Even Henry VII's friendly act in approving her marriage to Sir Richard Pole when a more politically beneficial union might have enriched the crown was no guarantee the king's good will would survive his consort's death. But Sir Richard was the king's friend, and the marriage was a happy one. It also neutralized the threat presented by the lady's bloodline. However,  Richard Pole was a soldier in the service of the king.  And while their marriage was a love match, it was one fraught with absences while Sir Richard marched to war. The marching season after the Queen's death brought a the lovers to a farewell which was permanent.  Thus, widowed the year after Elizabeth's death, and within days of her own delivery of a healthy son, Margaret found herself without her best friend and lover, her beloved Sir Richard Pole.  

With a daughter and four surviving sons in her care, and no money to ease the burden, Lady Margaret Pole had little time to grieve.  She borrowed money for her husband’s funeral from his friend the Duke of Somerset. Still in mourning, she left the solitude of her country home  behind and moved to Sion Abbey on the banks of the Thames for a period of recovery. As was appropriate in 16th Century England,  she sought placement of her older sons in the homes of noble families able to undertake the ward ship of the offspring of a princess. 

Catherine (Catalina) of Aragon,

During her early widowhood, Margaret made an important friend in Princess Catalina of Aragon, the adolescent Spanish wife of Arthur, Prince of Wales. Margaret encouraged Catalina to use her influence to free the husband of a friend and many other young nobles who had fought with the Plantagenets. However,  she concentrated her own efforts on the advancement of her children. As for her personal future, she was content to bide her time and  keep her head low.  It was not a long wait until circumstances changed..

Henry VIII ~  Margaret's Royal Cousin.

When Henry VII died, he was succeeded by his second- born son, Margaret‘s cousin Henry.  Princess Catalina's young husband Arthur had died.  The excitement pervading the kingdom upon the ascension of the beautiful youth who was in physical appearance the spitting image of his Plantagenet grandfather, Edward IV, still left Margaret ill at ease on her visit to the court.  When the man she regarded as ‘tall, handsome and charismatic’ approached her, she reminded herself that he was not a true Plantagenet, but a frightful Tudor.  When she fell to the floor in the deepest bow, she was as much in fear as she was in awe, until the golden man who towered over her spoke to her in a sonorous voice :

Rise, dear Margaret and give me a kiss.’[1]  

Henry VIII early in his reign.  ((PD-Art))

As the author takes us through the early days of Henry VIII’s reign, a period when Margaret Pole enjoyed her position in the household of Henry’s consort Catherine of Aragon, we glimpse signs of storm clouds gathering.  It is a well-worked and familiar story in which Margaret Pole finds herself aligned with the losing faction.  As the king tired of his wife and despaired of his lack of a male heir, Margaret Pole found her affiliation with Queen Catherine and their devout Catholicism more of a danger that her bloodline. Yet, until the king broke with the Roman Church, he held Margaret in high esteem, and appointed her to serve as his daughter Princess Mary's governess.  During this phase of the novel, we glimpse a Margaret who is not the least naive nor is she nonpartisan.  There is a movement afoot to marry the king's daughter Mary Tudor to Margaret's son Reginald Pole, who serves the Roman Church.

The author adds the intrigues of the Reformation at precisely the correct point to hold the reader's interest, introducing us to a whole new cast of characters. There is danger lurking in the shadows, in this case,  personified by the King's henchman Thomas Cromwell. When  Cromwell cannot dispose of the very Catholic Princess Mary,  he focuses on the Poles. I applaud  the author's decision to avoid rehashing the rise and fall of Anne Boleyn, thus keeping this very much the Countess of Salisbury's story.  By the time of Anne's fall and Jane Seymour's rise, Lady Margaret Pole is ousted from Princess Mary's household and isolated from the Tudor Court. Use of the novel form permits the telling of the last chapters of Margaret Pole's story with the pathos of a women whose sees her world crumbling around her.  Albeit, this remains Margaret's story, and the political intrigue is reported from a pro-Catholic point of view, but it is presented fairly. While Ms. Wilcoxson takes license  with the ending of Margaret's saga by axing the traditional version of  her gory execution, she does so honestly.  In my view,  what sets this account above other literary works in which the Countess of Salisbury appears is her poignant portrayal as an ambitious parent, loving wife and  doting grandmother.  Arranging suitable marriages for her children were a priority in her life.  The aspirations of the Poles and other Catholics may have looked too high in plotting a marriage between the  Mary Tudor and  Reginald Pole, therefore bringing Margaret Pole to the final chapters of her stunning life.

Mary I, PD Art
Cardinal Pole, PD Art
When her youngest son is taken to the Tower and the family is linked to a plot to marry Henry Tudor’s Catholic daughter Mary to Margaret son Reginald Pole, who is in the Vatican in the service of the Church, Margaret begins to see the walls closing in upon her. Soon she is under house arrest and suffering from depression.  Perhaps her lowest moment in learning one of her sons has betrayed his brother and cousins to spare his own life. She had always coddled her youngest, Geoffrey.

The Countess's execution came with little preamble, with only an hour's notice given Lady Margaret to give her time to pray. It was carried out privately within the compound  on a scaffold erected  on Tower Green near the church of Saint Peter Advincula, where others headless nobles charged with treason had been buried.  Later, when a servant was sent to clear her room, the following words were discovered etched on a wall, and to me suggest she perhaps did attempt to outrun the headsman:

For traitors on the block should die; I am no traitor, no, not I!
My faithfulness stands fast and so, Towards the block I shall not go!
Nor make one step, as you shall see; Christ in Thy Mercy, save Thou me![2]
The Execution of Margaret Pole,  courtesy of  Creative Commons 

Faithful Traitor: The Story of Margaret Pole is not a book for everyone.  Readers who do not like their historical novels cluttered with too much history may not like it.  In my view, it  is more of the ilk of Alison Weir’s book about Lady Jane Grey, Innocent Traitor. I classify both works in a sub-genre known as fictionalized biography. Both books are written by  authors who know their topic well, and present them with clarity and charm.

 I cannot quarrel with the author’s decision to disclaim the scene in which Henry Tudor’s headsman chases the old lady around the scaffold as she seeks to escape the ax.  It was a private execution, and only two eyewitness accounts of the Countess’s beheading survive.  Those present at the execution would have been fully vetted, and their objectivity is suspect. Neither of them are sympathetic to the unrepentant lady and neither version is consistent with the Margaret Pole who graces the pages of Samantha Wilcoxson’s novel.  I invite those of you who read the book  to judge for yourselves. Should you conclude that the traditional version is Margaret Pole's execution is true, then also consider, if you will,  whether the last Plantagenet princess might have staged-managed her bizarre ending to garner sympathy for her cause?  While her name may not be as well known as Queen Anne Boleyn's, nor is it forgotten.

Scaffold site on Tower Green outside the Church of Saint Peter Advincula,
Wikimedia and Creative Commons

Reviewer's Note:

Faithful Traitor: The Story of Margaret Pole, has been highly acclaimed since its publication in June, 2016. It has been a Historical Novel Society Editor’s choice and highly praised by the notable Helen Hollick at her Discovered Diamonds review site. The author has graciously offered an e-book to the winner of a drawing chosen from those who comment on this review.  

[1] [1](Wilcoxson, Samantha. Faithful Traitor {Kindle Location 423}.).  [2] (Wilcoxson, Samantha. Faithful Traitor (Kindle Locations 4812-4813). UNKNOWN, but believed by many to have been the words of Margaret Pole.

About the author:
Samantha Wilcoxson is an American writer and history enthusiast. Her novel, 'Plantagenet Princess, Tudor Queen', looks at the transition from the Plantagenet dynasty into the Tudor era through the eyes of Elizabeth of York. This book has been named an Editors' Choice by the Historical Novel Society. Samantha's next novel, 'Faithful Traitor', will continue to look at the Plantagenet remnant by featuring Margaret Pole.
During rare moments when Samantha is not reading or writing, she enjoys traveling and enjoying time at the lake with her husband and three children.

About the reviewer: Linda Root is the author of The First Marie and the Queen of Scots, The Last Knight and the Queen of Scots, and four books in The Legacy of the Queen of Scots series. The fifth, Deliverance of the Lamb, is coming in early 2016. She lives in the Southern California high desert community of Yucca Valley with her husband Chris and two giant woolly Alaskan Malamutes, Maxx and Maya. She is a retired major crimes prosecutor, a member of the Marie Stuart Society, and of the California State Bar and the Bar of the Supreme Court of the United States.  
Linda Root's books can be found on Amazon.

Saturday, 6 January 2018

Diana talks to Matthew Lewis, author of 'The Survival of the Princes in the Tower.'

Hi Matt. It's lovely to talk with you. Thank you for agreeing to answer these questions for me. Let us start straight away...

What is the genre you are best known for?
I started off writing a couple of historical fiction novels but appear to somehow have ended up writing non-fiction medieval history books. I guess if I’m anywhere near well-known, it’s probably for the non-fiction now.

If your latest book TheSurvival of the Princes in the Tower was adapted into a TV show or a film, who would you like to play the lead role?
It would have to be one of those part-dramatised documentaries I guess, but this would be an excuse to talk about casting Richard III, who is the subject of my first novel, Loyalty, too. Eddie Redmayne might be my top pick. He’s an incredibly versatile actor and I think he could bring a real emotional depth to a figure often viewed as one dimensional.

What made you choose this genre?
Historical fiction was a combination of interests I’ve always had. The non-fiction was a result of my inability to refuse real offers from real publishers. I could claim a noble compulsion to spread knowledge and appreciation of the histories that have fascinated me for years, but it’s probably more like vanity!

How do you get ideas for plots and characters?
One of the benefits of writing historical fiction about well-known figures is that I don’t need to invent too much. That could hardly be less true. Even where records are good, particularly during the medieval period, they weren’t great, so we have no idea what people were really thinking. Empathy is the key for me. Fact can provide a framework to operate within, but there is still plenty of wiggle room with character’s emotions, thoughts and words. I get to look at what happened and try to get beneath the skin to look for a plot, motives and other people at work. The freedom is simultaneously exciting and terrifying.

Favourite picture or work of art?
Hans Holbein fascinates me. Jack Leslau’s theory about Holbein’s portrait of Sir Thomas More’s family has made that painting a long-standing favourite of mine (if you don’t know why, please look it up!).
Sir Thomas More and Family is a lost painting by Hans Holbein the Younger, painted circa 1527 and known from a number of surviving copies. The original was destroyed in 1752 in a fire at Schloss Kremsier (Kroměříž Castle), the Moravian residence of Carl von Liechtenstein, archbishop of Olmutz.

Holbein’s Henry VIII is one of the most instantly recognisable images in all of history and a testament to his ability to weave meaning into his paintings. From the aggressive, confrontational stance to the prominent codpiece and the glare, it tells as much of a story about Henry’s desire to project an image of himself as it does about what he may have really looked like. Holbein opened a real window into the Tudor court and made characters from history into real people you can almost touch for the first time. The guy was a genius.

If, as a one off, (and you could guarantee publication!)  you could write anything you wanted, is there another genre you would love to work with and do you already have a budding plot line in mind?
I’d love to have a go at some children or young adult fiction. I’ve got a couple of ideas rattling around in my brain but they’re currently caged by commitments to non-fiction books.

Was becoming a writer a conscious decision or something that you drifted into (or even something so compelling that it could not be denied?) How old were you when you first started to write seriously.
I had been writing for years just for fun and although I might have hoped to become a writer one day, it was never something I really considered as a serious option. I self-published my first novel in 2012, expecting nothing to really come of it. A few months later, Richard III’s remains were discovered and as interest peaked, my novel started to sell. I was 36 then and wrote a sequel to try and make the most of what I assumed would be a passing fascination with the subject of the novel rather than anything else. Some of the nonsense doing the rounds after Richard III’s remains were found caused me to start a blog to try and get more accurate information out there. All of a sudden, a publisher got in touch through the blog to ask me to write a non-fiction account of the Wars of the Roses for them. I couldn’t believe it. I still can’t. I write for three publishers now and have books due for the next few years, which is mind-blowing to me. If anyone asks me, I still can’t bring myself to claim that I’m a writer or an historian. It makes me smile when I see others describe me as either. It feels like I’m getting away 
with something naughty.

Marmite? Love it or hate it?
I fall into some kind of freakish middle ground here. I don’t mind it, but I can’t remember the last time I chose to ate any. It’s okay spread thinly on toast. If this is too weird, put me down as a hater. That’s probably the safest bet.

Do you have any rituals and routines when writing? Your favourite cup for example or ‘that’ piece of music...??
I try to create routines to convince myself that I should be writing, but I have’t really found one that sticks. I’m a procrastinator of the highest order, but I get it done in the end, on time too. It’s a family trait that has made trying to convince the children to do their homework when they get it instead of leaving it to the last second more difficult. Apparently, they’re genetically predisposed to leaving it late and it’s my fault.

I promise I won’t tell them the answer to this, but when you are writing, who is more important, your family or your characters?
I can honestly say my family. They’re always the most important thing because without them, I would never be able to write a word. They’ve put up with this flight of fancy for years now, spending time with them is my favourite form of procrastination and they’re always my main source of inspiration.
So that’s the paragraph to put in the version I’ll show them. Now…. (I actually laughed out loud!! Diana)
Other than writing full time, what would be your dream job?

I’ve never had the same job twice in a row or anything much like a career. I’ve had jobs I’ve loved though, as well as a few I’ve not enjoyed. If I could pick any job, it would either be manager of Wolverhampton Wanderers or Prime Minister. I’ve done both for years from the comfort of my armchair. I’d love to get into politics if I’m honest. I avoid it on social media because I try to keep it to the history, but it’s an interest that runs parallel and isn’t unrelated.

Coffee or tea? Red or white?
Tea. Preferably intravenous by drip. Strong, milky and no sugar. I can’t drink coffee, which is often an awkward social problem. I get proper dirty looks when I try to explain that I don’t like coffee. I really like camomile tea and decaf green tea too. That may not be very cool, but I’m not known for being cool.
I like red and white wine. When I want to be pretentious I’ll talk about drinking Chilean red wine before it became popular. When I’m not, a bit of Black Tower in front of the TV suits me just fine. 😸

How much of your work is planned before you start? Do you have a full draft or let it find its way?
I’ve never planned a book so far. They’re organic things, both the fiction and the non-fiction. I have some themes in my head and threads I might like to follow sometimes, but generally I sit down with no clue what’s going to happen and hope I don’t want to delete it by the end of the day. I admire writers with a huge plan. It shows a foresight I don’t possess.

If you had free choice over the font your book is printed in, what font/fonts would you choose?
Calibri is my go-to font. I’m aware how desperately sad it is to have a go-to font, but I’m going to hold my head up high for this sans-serif champ. Microsoft has adopted it as the default font for Office now, so I’ll probably have to change it now to something obscure. Angelic War is cool, but maybe not suitable for everyday use.

Imagine that you could get hold of any original source document. What would it be?
Whatever evidence was produced to convince the powers that be in London to declare the sons of Edward IV illegitimate in June 1483 would be my choice. It hasn’t survived, but something was obviously shown around. Did they accept something that was obviously a sham and a hatchet job, or has it failed to survive precisely because it was compelling? To be able to sift through it and try to work that out would be incredible. More than anything else, it could answer a lot of questions about 1483 and Richard III.

Have any of your characters ever shocked you and gone off on their own adventure leaving you scratching your head? If so how did you cope with that!?
As I don’t really plan, my only plan is to let characters roam around with free will and see where they chose to go. I have to check them a little to keep within the framework of the facts, but within my flimsy, cardboard box of rules, they’re free to do as they please. It saves me having to think about it too much.

How much research do you do and do you ever go on research trips?
I try and do loads of research. I read out of interest as much as anything else, which helps. I’m amazed by how different a story can be if you go right back to the original, contemporary source material. So much mythology springs up around many of these issues and becomes accepted as real history that it can be hard to break down the barriers, even with original material on your side. I referred to a clause Edward IV placed on his brother Richard’s title to his wife’s Neville inheritance in my novel. It’s in the Parliament Rolls, yet one reviewer took issue with that particular aspect because they had read a lot on the subject and never come across it before. Therefore, they believed, it was untrue and I’d made it up. (Sigh. There's always one... Diana.)

Fiction authors have to contend with real characters invading our stories. Are there any ‘real’ characters you have been tempted to prematurely kill off or ignore because you just don’t like them or they spoil the plot?
Facts are often inconvenient, especially when a character is at full pelt in a direction they can’t take, or want to do something they simply can’t. As a Ricardian, there are a few select characters I might have wished had kept their noses out of things. Rather than killing off an unwanted character, I’d rather have been able to keep Richard III alive after Bosworth to carry on his story and to see where it might have gone. Maybe alternative history will call one day.

Are you prepared to go away from the known facts for the sake of the story and if so how do you get around this?
Nope. For a number of reasons. Readers of fiction can be disproportionately influenced by the fiction they read, especially if non-fiction isn’t their bag. Some might be inspired to pick up factual books to find out more, but for many, the fiction they read shapes their view of people and events from the past. The main reason, for me, is simply that the facts are so incredibly fascinating that I can’t imagine plots more worthy of reading. When writers change a real story into something less interesting, I’m left wondering what the point is. We already have the honour of putting words into these peoples’ mouths and thoughts into their minds. Changing what happened to them is a step too far for me.

Do you find that the lines between fact and fiction sometimes become blurred?
The line has to be blurred when you start providing thoughts and words to real people that are never more than educated guesses. I think a writer has a duty to respect the facts of the history they write about as a kind of recompense and balance for the honour of filling their minds, hearts and mouths with what the author wants to put there.

Have you ever totally hated or fallen in love with one of your characters?
I like John, one of the few fictional characters in my novels. He represents all of that stuff we don’t know about, that even the most ordinary people are never really ordinary. Everyone has a story. I hated my Bishop Morton because I knew what he was up to. No matter how loud I screamed, no one else would listen though. They seemed to think he was a harmless old man. Fools. 

What do you enjoy reading for pleasure?
I don’t get as much time to read anything but medieval chronicles and parliament rolls as I’d like. Non-fiction histories have always been a favourite to feed my interest. I’ve always enjoyed stories that take something from the past that no one has ever really explained and build a story around that.

What drink would you recommend drinking whilst reading your latest book?
The Survival of the Princes in the Tower returns to the contemporary source material to investigate one of the most enduring mysteries in history. As the title suggests, there is a heavy focus on the notion that they did not die at all in 1483. The reader needs to go into it with an open mind and I hope there is lots there to think about. Maybe it suggests a wing-backed armchair, an open fire and a smoking jacket (a dressing gown might suffice). A nice 40-year-old  port might make a nice companion, or a brandy rolling around a large glass as you mull it over.

Last but not least... favourite author?
Dan Brown. Is that unfashionable now? I haven’t enjoyed his most recent books so much, but Angels and Demons, The DaVinci Code, Deception Point and Digital Fortress set a new standard in fast paced fiction that leant heavily on unexplained histories. There was always just enough to make you wonder, to leave it tantilisingly possible. He has a knack for writing such technical and intelligent-sounding detail that I always felt more clever for being able to follow it. And when I couldn’t, I could always pretend that I did.    (😸 Yep. Me too!! Diana)

About the author:

Matthew Lewis was born and grew up in the West Midlands. Having obtained a law degree, he currently lives in the beautiful Shropshire countryside with his wife and children. History and writing have always been a passion of Matthew's, with particular interest in the Wars of the Roses period. His first novel, Loyalty, was born of the joining of those passions.

About the book:

The murder of the Princes in the Tower is the most famous cold case in British history. Traditionally considered victims of a ruthless uncle, there are other suspects too often and too easily discounted. There may be no definitive answer, but by delving into the context of their disappearance and the characters of the suspects Matthew Lewis examines the motives and opportunities afresh as well as asking a crucial but often overlooked question: what if there was no murder? What if Edward V and his brother Richard, Duke of York survived their uncle’s reign and even that of their brother-in-law Henry VII? There are glimpses of their possible survival and compelling evidence to give weight to those glimpses, which is considered alongside the possibility of their deaths to provide a rounded and complete assessment of the most fascinating mystery in history.

© Diana Milne January 2017 © Matt Lewis December 2017

Monday, 1 January 2018

The Cat, the Rat and Lovell, our Dog: Part two**. 'The Ratte' - Sir Richard Ratcliffe.

The Ratcliffe Arms

Sir Richard Ratcliffe, otherwise spelled Radcliffe, was a younger son of Sir Thomas Radcliffe, who in his turn was younger son of the Clitheroe branch of the Radcliffes of Radcliffe Tower, Lancashire, and himself became Lord of Derwentwater and Keswick, through marriage.
Richard's mother was Margaret, daughter of Sir William Parr of Kendal, grandfather of Catherine Parr, the sixth and final wife of Henry VIII. 

The family pedigree makes him the second son of his parents, and his brother Edward, who ultimately succeeded to the Derwentwater estates, the third. There must, however, be some mistake here, for Radcliffe's son stated in parliament in 1495 that his father had two elder brothers, both of whom were living in that year. It is not impossible that Edward and Richard were twins and the exact order of their birth unknown.

Ratcliffe is said by Davies to have married Agnes Scrope, daughter of John, Lord Scrope (d. 1498) of Bolton in Wensleydale. The only child given to him in Nicolson and Burn's pedigree of him is a son, another Richard, but a correspondent of 'Notes and Queries' (1st ser. x. 164) asserts, without quoting his source, that 'Radcliffe's daughter Joan married Henry Grubb of North Mimms, Hertfordshire, and was heiress to her brother, Sir John  Radcliffe.' 

Richard Ratcliffe's maternal grandfather was well known at court as Comptroller of the Household to Edward IV and this explains the friendship and intimacy of Richard Ratcliffe and Richard of Gloucester. Both he and his uncle, John Parr, were knighted by the king on the field of Tewkesbury, and Gloucester made him a knight-banneret during the siege of Berwick in August 1482.

The following year, 1483, Gloucester, sent Radcliffe to summon his Yorkshire friends to his assistance, just before seizing the throne. Leaving London shortly after 11 June 1483, he presented the Protector's letters to the magistrates of York on the 15th, and by the 24th he had reached Pontefract on his way south with a force estimated at five thousand men. On that day Earl Rivers, Sir Richard Grey, son of the queen-dowager, Sir Thomas Vaughan, and Sir Richard Haute were brought to Pontefract from their different northern prisons and executed there on the 25th by Radcliffe. 

According to the well-informed Croyland chronicler they were allowed no form of trial, though the statement of Rous that the Earl of Northumberland was their principal judge may imply a formal sentence by a commission. As High Constable of England, however, if these executions were done under Richard of Gloucester's orders, no trial was actually necessary.

Richard rewarded Ratcliffe handsomely, He was made a Knight of the Garter, Knight of the Body to the King (10 Aug. 1484), and High Sheriff of Westmoreland for life. Besides the advantageous stewardship of Wakefield, estates to the yearly value of over £650 were given to him.These grants were only exceeded in amount by those made to the Duke of Norfolk, the Earl of Northumberland, and Lord Stanley. 

Ratcliffe and William Catesby, who did not benefit anywhere near so richly, were reputed to be Richard's most confidential counsellors, 'quorum sententiis vix unquam rex ipse ausus fuit resistere;' and this, as was mentioned in last month's blog on The Catte, found popular expression in the satirical couplet which cost its author, William Collingbourne, his life:

The catte, the ratte, and Lovell our dogge
Rulyth all Englande under a hogge.
The 'catte' and the 'ratte' wasted no time telling their master  in the spring of 1485 that he must publicly disavow a rumour that was going round idea about him marrying his niece, Elizabeth of York, or even the loyal Yorkshiremen  would think that he had had his wife, Anne - nee Nevill-  removed to make way for an incestuous marriage. 

They found twelve doctors of theology to testify that the pope had no power of dispensation where the relationship was so close. Their opposition, to which Richard yielded, was perhaps a little too forceful to be wholly disinterested, and they are often thought to have entertained a fear that if Elizabeth became queen she would some day take revenge upon them for the death of her uncle Rivers and her half-brother, Richard Grey. If this is true, it raises the question of whether they were behind the executions, rather than the king.

Shortly after this (22 April), as head of a commission to treat with Scotland, Radcliffe received a safe-conduct from King James, but is thought to have been prevented from going by the news of Richmond's contemplated invasion. At any rate, he fought at Bosworth Field on 21 Aug., and was there slain. He was attainted in Henry VII's first parliament, but the attainder was removed on the petition of his son Richard in 1495.

**Next month Lovell oure dogge is in the spotlight.

Whitaker: History of Richmondshire
Davies: Ramsay, Lancaster and York
John Rous
Paston Letters
Croyland Chronicle

© Diana Milne 3/12/17

Saturday, 30 December 2017

Diana talks to Annelisa Christensen, author of award winning, ''The Popish Midwife.''

Recently I was fortunate enough to win a copy of Annelisa Christensen's amazing book, The Popish Midwife. From page one, I was hooked. The book is a true story told in novel form, and tells of the little known life of Elizabeth Cellier, an unusual woman for her time in that she is an upper class Catholic midwife, married to a French Huguenot. It is a tale of treason, prejudice and betrayal that sees Elizabeth's inner strength tested to the core...

Hi Annelisa. Thank you for joining me. If you don't mind, I'll jump straight in...

What is the genre you are best known for?
That has to be historical fiction, since that’s the only genre I’ve yet published.

If your book, The Popish Midwife , was adapted into a TV show or a film, who would you like to play the lead role?
Apart from me, you mean? Ha ha. At one point while writing her story, I so strongly empathised with Elizabeth Cellier, the protagonist, I think I could easily have played her.
But, seriously, which actress… Difficult one. One choice might be Caitriona Balfe of Outlander. She’s adaptable and has a lot of passion. Whoever played Elizabeth Cellier would need passion, strength, boldness and a dash of sass. I think Caitriona could carry her off well.
(Whilst reading the book, and still now some time later, the skill of the author is so great, I so strongly related to Elizabeth that I think I too could play her. Diana.)

What made you choose this genre?
I didn’t choose historical fiction, it chose me. I would never have had the confidence to write such a novel, but Elizabeth Cellier’s story demanded to be told. I won a 300 year old copy of her trial, loved the woman’s pluck and temerity and simply had to research her more. The puzzle of her story was scattered in many places, a piece of it here in the Popish Plot, a piece of it there in the study of authors of the past and another piece in her craft of midwifery. Putting them together gave a picture of an extraordinary woman whose tale is barely known today. Like I said, it was a story that needed to be told.

How do you get ideas for plots and characters?
It sometimes makes me feel a bit of a fraud, because I pieced together The Popish Midwife from the different sources rather than plotting and planning (although it does have its fair share of real-life plots and sham-plots). The story was already there (in ‘Malice Defeated’ - Cellier’s own book, and in trial and court records, religious and session records, contemporary satires and personal letters). My novel uses many of the original situations and dialogue Cellier herself wrote. All the characters are there in the past too. I know some readers have become quite frustrated with Cellier, because she doesn’t always do what they think she should, but I haven’t changed her character to suit the novel. She is the novel.

Favourite picture or work of art?
This is going to sound corny, but I’m in love with the sky. It does sometimes seem that it’s a new canvas every day, and I love how our star, the Sun, shines through the clouds and creates such amazing sky-scenes. (Not corny. Beautiful! D.)

If, as a one off (and you could guarantee publication!) you could write anything you wanted, is there another genre you would love to work with and do you already have a budding plot line in mind?
Actually, I’ve already written a couple of novels that just need editing, and have another five in various states of completion, in a magical realism series called ‘The University of Lights’. I love the ideas in Sole Possession, the first novel of the series, which is based on a recurring dream. The others are all linked, but not necessarily chronologically. I plan to publish once I have all the story details down pat across the series. 

Was becoming a writer a conscious decision or something that you drifted into (or even something so compelling that it could not be denied?) How old were you when you first started to write seriously.
I’ve been writing since I was about eight, but then… life. I never put the pen down completely, but could never finish anything either. Finishing Sole Possession as an off-the-record NaNoWriMo in 2007 was amazing and gave me the confidence to go on.

The Popish Midwife was indeed one of those compelling ones that couldn’t be denied, and I’m glad I didn’t ignore the call. It opened the door to the other novels in the Seventeenth Century Midwives series (I’m currently writing The French Midwife) – stories of fascinating real people of the past.

Marmite? Love it or hate it?

Do you have any rituals and routines when writing? Your favourite cup for example or ‘that’ piece of music...??
‘A bit every day’ is the way I write. Even more so, it’s the way I edit. I wrote the outline of The Popish Midwife in a month or so, but it took 4 years to edit and research all the little details. Two of my children had OCD and I had a heck of a lot of life stuff going on, including the death of my best friend and my mother, but I was determined to finish this one, and woke early every day to work on it.

Oh, and music? Don’t tell anyone… there’s one artist that gets me writing, but I rarely admit it to anyone as the music is not at all my normal taste. My dad used to play Demis Roussos when I was a kid, and I associated it with writing, so now I only have to hear it and I have the itch to get out my laptop and start pumping out the words!

I promise I won’t tell them the answer to this, but when you are writing, who is more important, your family or your characters?
Family always come first, but since my family are so supportive of my writing, the characters are a close second. If you read my acknowledgements at the end of TPM, you will see my kids put up with a lot!

Other than writing full time, what would be your dream job?
Nope, that’s it. Writing full time is the one-and-only…

Coffee or tea? Red or white?
I like coffee but drink lots of tea. And wine isn’t wine unless it’s red, especially delicious if it’s home-made bramble and elderberry!

How much of your work is planned before you start? Do you have a full draft or let it find its way?
That depends. For the historical fiction, I research meticulously and stick to the story, so it’s more a case of making sure I’ve got it all in. For my magical realism stories, however, I only have a rough idea of where I want it to go then wing it!

If you had free choice over the font your book is printed in, what font/fonts would you choose?
I’m old-fashioned, and like good old-fashioned Times Roman, but I’m rather chuffed that I slipped ye olde English style for the headings. It might not be so readable, but it transports you right back in time the moment you see it. (I loved that too. D)

Imagine that you could get hold of any original source document. What would it be?
Right now? I’m looking for documents showing when The French Midwife came to England, where she first married, where her children were born. Is that too boring? Okay, how about a print of her? Oh yeah, my son found that for me last Christmas (Did I tell you what great kids I have? All four of them!).

Have any of your characters ever shocked you and gone off on their own adventure leaving you scratching your head??? If so how did you cope with that!?
Elizabeth Cellier certain did her own thing, even to the frustration of myself and others, placing not only herself in danger, but her husband and family. Thing is, she really did, and I was so tempted to write her up as a more thoughtful person, but then it wouldn’t have been her, would it? And I do prefer a character who doesn’t neatly fit into a ‘good’ or ‘bad’ box.

How much research do you do and do you ever go on research trips?
OMG! I knew nothing about seventeenth century London when setting out to write The Popish Midwife. Nothing except that The Great Plague and The Great Fire of London were some time around then. I had to look up every. single. detail. I had no idea what people ate, what they wore, what the used for lighting or writing or smoking or travelling… I couldn’t take anything for granted, so if it went into the story, I double-checked whether it was right. I probably missed a couple of words or phrases that weren’t around 300 years ago, and maybe some other details I didn’t even know to check, but most everything else was verified where I could. 90% of that research was online, though I did take a trip to Great Missenden to see where Elizabeth Cellier came from, and also took a ‘The Popish Midwife’ tour of London to get a feel for where she lived and places she visited.

Fiction authors have to contend with real characters invading our stories. Are there any ‘real’ characters you have been tempted to prematurely kill off or ignore because you just don’t like them or they spoil the plot?
Not at all. That hasn’t happened to me yet, but if it did, I’d invite them in, sit them down and have ‘the talk’ with them why they can’t just barge in and take over someone else’s story! Then I’d send them out to the waiting room… seems to me that they’re there for a reason and might have their own story to tell! ( 😁 )

Are you prepared to go away from the known facts for the sake of the story and if so how do you get around this?
No. I like to tell the story as it was, or as close as possible to how it was. For me, that’s the fun of it, bringing history to life. Of course, you have to fill in between the facts, and that’s where you get to tie all that research together.
Do you find that the lines between fact and fiction sometimes become blurred?
When I’m immersed, it’s another world. I can be thinking ‘in-story’, trying to get to the heart of the characters’ actions, for big chunks of the day – driving, running, eating, working – so it does sometimes feel as if my life is being taken over by the story.

Have you ever totally hated or fallen in love with one of your characters?
I fell for Elizabeth Cellier as a forward-thinking, humanitarian. I loved her sass and her tenaciousness, and her willingness to do what was right, even though it put her life in danger. I hope I would be so brave, but fear I’m not.

What do you enjoy reading for pleasure?
Anything but horror as long as it has a good story. Well, even horror, if you count Stephen King’s The Stand.

What drink would you recommend drinking whilst reading your latest book?
How about a glass of mulled sac (mulled white wine drunk in C17th England), a cup of cider or a yard of ale? Otherwise, a dish of coffee would be appropriate.

Last but not least... favourite author?
I don’t think I can say other than Terry Pratchett. His books make me chuckle, and that doesn’t happen enough. A mention also for David (and Vivien) Eddings with the Mallorean and Belgariad series – the characterisations were brilliant. They are the only books I’ve ever read more than once.

About the book:

In seventeenth-century London, thirteen years after the plague and twelve years after the Great Fire, the restoration of King Charles II has dulled the memory of Cromwell's puritan rule, yet fear and suspicion are rife. Religious turmoil is rarely far from tipping the scales into hysteria.

Elizabeth Cellier, a bold and outspoken midwife, regularly visits Newgate Prison to distribute alms to victims of religious persecution. There she falls in with the charming Captain Willoughby, a debtor, whom she enlists to gather information about crimes against prisoners, so she might involve herself in petitioning the king in their name.

"Tis a plot, Madam, of the direst sort.'

With these whispered words Willoughby draws Elizabeth unwittingly into the infamous Popish Plot and soon not even the fearful warnings of her husband, Pierre, can loosen her bond with it.

This novel is the incredible true story of one woman ahead of her time and her fight against prejudice and injustice.

**AWARD WINNER for Christian Historical Fiction in the Readers' Favorite 2017 International Book Awards**

About Annelisa Christensen:

Award-winning author, contributor to Read My Mind magazine: Bringing history to life.

One day, several years ago, Annelisa bought some pages of a trial, merely to hold a piece of a 300-year-old book. That purchase changed her life. The defendant in the trial captivated her and her story demanded to be told. Annelisa's debut novel, The Popish Midwife, is based closely on the true story of Elizabeth Cellier, an extraordinary 17th century midwife.

Annelisa's research revealed Elizabeth to be known in three areas of interest - for being a woman writer when it was much frowned upon, for being caught in The Popish Plot and as a forward-thinking midwife - but her story was all in pieces and scattered. It was such an fantastic tale, Annelisa wanted to link it all together and share it with people of today. If Cellier could be all she was in a time of such prejudice and suppression, echos of our own time, how much more amazing would she be now when we have so much more freedom?

*The Popish Midwife won the bronze award in the Christian Historical Fiction category of the Readers' Favorite international book awards 2017*

Annelisa also writes poetry and story rhymes, and is currently writing The French Midwife, the second in The Seventeenth Century Midwives series, as well as a magical realism series (University of Lights).

© Diana Milne January 2017 © Annelisa Christensen December 2017